Over the two hours the band are on stage, they hold the audience rapt as they journey across the breadth of their three studio albums, throwing in some choice cover versions along the way. There’s a real sense of time and place in what Beaux Gris Gris do. Impossible to categorise, and all the better for it, they flirt with so many different genres creating a heady mix that is uniquely their own.

Opening with the infectious What’s My Name with its call and response chorus, the crowd are on-side and in fine voice from the moment the set begins. Fronting the band, Greta Valenti has a voice that could coax the angels from the heavens (or maybe even convince a few devils to switch sides), her range and versatility astounding. One moment she is belting out an up-tempo number such as the storming I Told My Baby, the next she’s delivering a delicate, tender song that could break your heart. Take the utterly stunning The Runaway, Greta’s soaring vocal lines combined with Robin Davey’s sublime guitar parts and Jack Herbert’s glorious keys masterfully casting a captivating spell that wraps itself around you and refuses to let go.

In fact, whilst Greta and Robin may be the heart of the band, the work of the other musicians elevates the performance to an altogether higher level. Jack’s keys really do deserve special mention but equally Charlie Kay’s effortlessly slinky and pulsing bass lines and Kev Hickman’s drumming (economic but used to brilliant dynamic effect to punctuate the song beats) are absolutely integral to the band’s wonderfully rich sound. What’s also evident is the pleasure these talented musicians get in playing together, whether it’s Jack grinning across whilst watching Robin peel off another breathless solo, or all three of the musicians gathering around Jack as he delivers more deftly dextrous keys, their camaraderie and appreciation of each other’s talents is clear to see.

Having said that, the rest of the band leave the stage for a brief acoustic interlude, where we get the first big surprise in the form of Dire Straits’ Romeo and Juliet, in a way that you’ve never heard it before. Greta’s phrasing and diction, showcases her skilled storytelling abilities; it’s at times breathy and almost spoken before once again rising to the heights. Robin’s guitars are the perfect foil, tasteful and devastatingly effective. The song takes on a new life in the hands of this duo, somehow both understated and dramatic all at the same time, an absolute masterclass in how to take a well-known song, reinterpret it and make it truly your own.